{"id":171,"date":"2008-08-08T17:01:23","date_gmt":"2008-08-08T16:01:23","guid":{"rendered":"http:\/\/sd.caad.ed.ac.uk\/handbook\/?p=200"},"modified":"2008-08-08T17:01:23","modified_gmt":"2008-08-08T16:01:23","slug":"bibliography-2","status":"publish","type":"post","link":"https:\/\/digital.eca.ed.ac.uk\/ddmhandbook\/2008\/08\/08\/bibliography-2\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

(2002). CTRL [space] : rhetorics of surveillance from bentham to big brother<\/span>. Cambridge, MA, MIT Press.<\/p>\n

Barthes, R. and S. Heath (1977). Image, music, text<\/span>. [London], Fotana.<\/p>\n

Bhangal, S., K. Besley, et al. (2006). Foundation Flash 8. [Berkeley, Calif.]\n

New York, Friends of ED ;<\/p>\n

Distributed to the book trade by Springer-Verlag.<\/p>\n

Cope, D. and D. R. Hofstadter (2001). Virtual music : computer synthesis of musical style<\/span>. Cambridge, Mass., MIT Press,.<\/p>\n

Cox, C. and D. Warner (2004). Audio culture : readings in modern music<\/span>. New York, Continuum.<\/p>\n

Dack, J. (1994). Schaeffer and Radiophonic Art.<\/p>\n

Day, S. (1998). Two Full Ears, listening to improvised music<\/span>. Chelmsford, UK, Soundworld Publishers.<\/p>\n

De Oliveira, N., N. Oxley, et al. (1994). Installation art<\/span>. [Washington, D.C.], Smithsonian Institution Press.<\/p>\n

Elst, P., T. Yard, et al. (2006). Object-oriented ActionScript for Flash 8. Berkeley, Calif.<\/p>\n

New York, Friends of ED ;<\/p>\n

Distributed to the book trade worldwide by Springer-Verlag.<\/p>\n

Emmerson, S. (1986). The Language of electroacoustic music<\/span>. New York, Harwood Academic Publishers.<\/p>\n

Emmerson, S. (2000). Music, electronic media, and culture<\/span>. Aldershot ; Burlington, USA, Ashgate.<\/p>\n

Enendu, L. O. M. and O. Okome (1994). The sight of sound : sound in the media and theatre<\/span>. Ibadan, Kraft Books.<\/p>\n

Green, L., J. Bernstein, et al. (1986). Beyond image : Boyle Family, Hayward Gallery, London, 1 November 1986-25 January 1987<\/span>. London, Arts Council of Great Britain.<\/p>\n

Hegarty, P. (2007). Noise\/music : a history<\/span>. New York, Continuum.<\/p>\n

Institute of Contemporary Arts (London England). (1971). Electric theatre : 25 artists working with light, sound and space<\/span>. London, ICA.<\/p>\n

Irving, D. K. and P. W. Rea (2006). Producing and directing the short film and video<\/span>. Amsterdam ; Boston, Elsevier.<\/p>\n

Jukes, P. and T. Watkins (1990). A Shout in the street : an excursion into the modern city<\/span>. London ; Boston, Faber and Faber.<\/p>\n

Kahn, D. and G. Whitehead (1992). Wireless imagination : sound, radio, and the avant-garde<\/span>. Cambridge, Mass., MIT Press.<\/p>\n

LaBelle, B. (2006). Background noise : perspectives on sound art<\/span>. New York, Continuum International.<\/p>\n

Leppert, R. D. (1993). The sight of sound : music, representation, and the history of the body<\/span>. Berkeley, University of California Press.<\/p>\n

Licht, A. (2007). Sound art : beyond music, between categories<\/span>. New York, NY, Rizzoli International Publications, Inc.<\/p>\n

Lidwell, W., K. Holden, et al. (2003). Universal principles of design<\/span>. Gloucester, Mass., Rockport.<\/p>\n

Lucier, A. (1980). Music on a long thin wire. New York, N.Y., Lovely Music\/Vital Records,.<\/p>\n

Lucier, A. (1981). I am sitting in a room. New York, N.Y., Lovely Music,.<\/p>\n

Lucier, A. (1994). Clocker. New York, N.Y., Lovely Music,.<\/p>\n

Lucier, A., R. Armstrong, et al. (1983). Still and moving lines of silence in families of hyperbolas. Part 2, numbers 1-4. New York, N.Y., Lovely Music,.<\/p>\n

Lucier, A., G. Gronemeyer, et al. (1995). Reflections : interviews, scores, writings = Reflexionen : Interviews, Notationen, Texte<\/span>. K\u00e8oln, MusikTexte.<\/p>\n

Lucier, A. and A. Lucier The Duke of York, per voce e sintetizzatori. Bird and person dyning, per esecutore con microfoni, amplificatori, altoparlanti e oggetto sonoro<\/span>. [n.p.], Cramps Records CRSLP 6111. p1976.<\/p>\n

Lucier, A., A. Lucier, et al. (2002). Vespers and other early works. New York, NY, New World Records,.<\/p>\n

Lucier, A., A. Lucier, et al. (1988). Sferics<\/p>\n

Sound on paper ; Music for pure waves, bass drums and acoustic pendulums. New York, N.Y., Lovely Music,.<\/p>\n

Lucier, A., A. Lucier, et al. (1982). Music for solo performer. New York, N.Y., Lovely Music,.<\/p>\n

Lucier, A. and W. Winant (1985). Still and moving lines of silence in families of hyperbolas. Part 2, numbers 5-8. New York, NY, Lovely Music,.<\/p>\n

Mandelbrot, B. B. and R. L. Hudson (2004). The (mis)behavior of markets : a fractal view of risk, ruin, and reward<\/span>. New York, Published by Basic Books.<\/p>\n

Manovich, L. (2002). The language of new media<\/span>. Cambridge, Mass., MIT Press.<\/p>\n

Moock, C. (2001). ActionScript : the definitive guide<\/span>. Sebastopol, CA, O\u2019Reilly.<\/p>\n

Pekkil\u00e8a, E., D. Neumeyer, et al. (2006). Music, meaning and media<\/span>. Imatra<\/p>\n

Helsinki, International Semiotics Institute ;<\/p>\n

Semiotic Society of Finland ; University of Helsinki.<\/p>\n

Plastic, T. (2004). Tokyo Plastic V2.<\/p>\n

Rees, A. L. (1999). A history of experimental film and video : from canonical avant-garde to contemporary British practice<\/span>. London, BFI Publishing.<\/p>\n

Richter, H. and D. Britt (1997). Dada, art and anti-art<\/span>. New York, N.Y., Thames and Hudson.<\/p>\n

Rumsey, F. (2001). Spatial audio<\/span>. Oxford ; Boston, Focal Press.<\/p>\n

SlimDevices.com<\/a> (2005). Slim Devices Homepage www.slimdevices.com\/.<\/a><\/p>\n

Sonnenschein, D. (2001). Sound design : the expressive power of music, voice, and sound effects in cinema<\/span>. Studio City, CA, Michael Wiese Productions.<\/p>\n

Subotnick, M., C. Roads, et al. (2003). Morton Subotnick interview.<\/p>\n

Thompson, H. S. (1995). Better than sex : confessions of a political junkie<\/span>. New York, Ballantine Books.<\/p>\n

Tufte, E. R. (1990). Envisioning information<\/span>. Cheshire, Conn. (P.O. Box 430, Cheshire 06410), Graphics Press.<\/p>\n

Wands, B. (2006). Art of the digital age<\/span>. London, Thames & Hudson.<\/p>\n

Winkler, T. (1998). Composing interactive music : techniques and ideas using Max<\/span>. Cambridge, Mass., MIT Press.<\/p>\n

Yates, F. A. (1966). The art of memory<\/span>. Chicago,, University of Chicago Press.<\/p>\n

Young, R. (2002). Under-Currents the hidden wiring of modern music<\/span>. London, Continuum.<\/p>\n

Young, R. (2002). Under-Currents the hidden wiring of modern music<\/span>. London, Continuum.<\/p>\n

Links<\/h2>\n

Blair, Gerard. Groups that work,
\nwww.see.ed.ac.uk\/~gerard\/Management\/art0.html<\/a>
\nBig Dog\u2019s Leadership Page www.nwlink.com\/~donclark\/leader\/leadtem2.html<\/a>
\nOpen Doors www.doorsopendays.org.uk\/<\/a>
\nSources about wireless connectivity: www.bluetooth.com\/<\/a><\/p>\n

LINKS to digital art sites and installations:<\/p>\n

Chris Hand\u2019s Blog: mungbean.org\/blog\/<\/a>
\nChris Hand\u2019s homepag: www.mungbean.net<\/a>
\nCreate your own Steady Cam for very little money: www.cs.cmu.edu\/~johnny\/steadycam\/<\/a>
\nImmersive 3d Hack using wiiRemote:
\nwww.engadget.com\/2007\/12\/21\/diy-head-tracker-takes-wiimote-hacking-to-dizzying-new-heights\/<\/a>
\nOther Johnny Lee projects using the wiiRemote:
\nwww.cs.cmu.edu\/~johnny\/projects\/wii\/<\/a>
\nSarah Angliss, Sound artist using robotics www.spacedog.biz\/<\/a>
\n3DV systems, Company developing 3d image tracking software (a lot of this is doable in Jitter by the way) www.3dvsystems.com\/gallery\/gallery.html<\/a>
\n www.lozano-hemmer.com\/eproyecto.html<\/a> – Rafael Lozano-Hemmer -Relational Architecture \u2013 look into body moves and Frequency and Volume
\nwww.jeffrey-shaw.net\/html_main\/show_work.php3?record_id=83<\/a> – the legible city
\nwww.stelarc.va.com.au\/index.html<\/a> – worry about this guy
\nwww.0100101110101101.org\/<\/a> – look into Nike Platz
\nwww.artcom.de<\/a> – look up floating numbers
\nwww.opensorcery.net\/velvet-strike\/<\/a> – create graffiti for a war computer game
\nwww.opensorcery.net\/lara2.html<\/a> – does lara croft wear fake polyglons?
\n<\/a>tmema.org\/messa\/messa.html<\/a> – performance with real-time visuals
\nwww.flong.com\/remark\/index.html<\/a> – voices transferred to visuals
\nwww.wearcam.org\/<\/a> – wearable computing
\nwww.impermanenceagent.com\/agent\/<\/a> – digital narratives
\nwww.cityarts.com\/lmno\/index.html<\/a> – John Kilmer\u2019s 3D projection surfaces<\/p>\n","protected":false},"excerpt":{"rendered":"

(2002). CTRL [space] : rhetorics of surveillance from bentham to big brother. Cambridge, MA, MIT Press. Barthes, R. and S. Heath (1977). Image, music, text. [London], Fotana. Bhangal, S., K. Besley, et al. (2006). Foundation Flash 8. [Berkeley, Calif.] New …<\/p>\n

Bibliography<\/span> Read More »<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/digital.eca.ed.ac.uk\/ddmhandbook\/wp-json\/wp\/v2\/posts\/171"}],"collection":[{"href":"https:\/\/digital.eca.ed.ac.uk\/ddmhandbook\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/digital.eca.ed.ac.uk\/ddmhandbook\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/digital.eca.ed.ac.uk\/ddmhandbook\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/digital.eca.ed.ac.uk\/ddmhandbook\/wp-json\/wp\/v2\/comments?post=171"}],"version-history":[{"count":0,"href":"https:\/\/digital.eca.ed.ac.uk\/ddmhandbook\/wp-json\/wp\/v2\/posts\/171\/revisions"}],"wp:attachment":[{"href":"https:\/\/digital.eca.ed.ac.uk\/ddmhandbook\/wp-json\/wp\/v2\/media?parent=171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/digital.eca.ed.ac.uk\/ddmhandbook\/wp-json\/wp\/v2\/categories?post=171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/digital.eca.ed.ac.uk\/ddmhandbook\/wp-json\/wp\/v2\/tags?post=171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}