+/- ensemble perform perform Matthew Schlomowitz’ Lecture on Bad Music. This highly original piece was commissioned by the Ultima Festival (Norway in 2015). It is written for a lecturer (Matthew himself) and 4 musicians. The piece lasts 43 minutes and features Vicky Wright (clarinet), ???(guitar), Mark Knoop (synthesiser) and ??? on violin.
West Court, ECA Main Building
15.00 – 16.30 Workshop on Sound Diffusion, with Prof. Pete Stollery
17.00 – 18.00 Round Table: The Future of Sound, chair Dr Tom Mudd,
with Philippe Blanchard (Prix Russolo), Lenka Dohnalová (Musica Nova Prague),
Pete Stollery, and Tomas Reindl (electro-composers).
Come and be part of the judging of this prestigious prize for electronic music. The concert will start at 8pm and will run until 9:30 including the judging elements.
The music listed below will be diffused by Pete Stollery.
Ensemble Batida+D.Poissonnier+T.Perrodin (Switzerland)
Last minute shodo
Luca Forcucci (Switzerland)
Nicola Fumo Frattegiani (Italy)
Panayiotis Kokoras (Greece)
Eduardo Palacio (Mexico)
Cycle et rupture
Nahuel Litwin (Argentina)
Emma Souharce (France)
Notification from bed
Professors Peter Nelson and Pete Stollery present a concert of fixed media music diffused across an 8 channel sound system in the West Court, Edinburgh College of Art. The works listed below are the prize winners of the Musica Nova Prague annual competition. More details about Musica Nova are here: musicanova.seah.cz/index.php?lang=en
Petra Šuško Orlando
Gilles Gobeil Dans l’air du soir
Tomáš Reindl Frozen Tabla
Louise Rossiter Neuronen
Alex Buck Screaming Trees
Join us for what may be the most important lecture you attend this decade…
Join us 5pm for a 5:10 start: Tickets here: digitalselfdefenceedinburgh.eventbrite.co.uk
Map to venue: www.ed.ac.uk/maps/maps?building=alison-house. The Atrium is on the ground floor of Alison House which requires a University swipe card to enter. We will have someone on the door to let you in until 5:05pm.
If you’re 10 years old or 100, a parent, small business owner, student, or a professional working with digital technology you might want to improve your knowledge and defences against an ever growing and quite depressing tide of digital threats.
Once upon a time computer security only concerned banks and the military. Today we all have internet, laptops, phones or tablets. We organise our lives around personal computers. They offer convenience and empowerment. But they also make us vulnerable.
Once computers promised great things. They were meant to open up society, spread free information and education. They were supposed to save time, build communities, facilitate debate, promote democracy, and generally solve the worlds problems. Instead we got bureaucracy, surveillance, advertising, distraction and addictive but empty amusement. Computers are now used to spy, manipulate, subdue and dominate, and people need to relearn how to use computer technology.
Protecting our personal devices and data, has become a life-skill we all need.
Andy Farnell will introduce his work on Digital Self Defence, provoke a discussion and open up pathways to help you to defend yourself against the unseen threats described above.
Reserve a ticket
Accordionist Eva Zöllner and Clarinettist Heather Roche are two of contemporary music’s most versatile and adaptable voices. Known for their independent travels in experimental performance and extended techniques, the duo come together in concerts of constantly changing aesthetics and approaches. Adventurous music-making, creative risk-taking and innovation characterize their work. They have been performing regularly as a duo since 2015. They have collaborated with composers including Christopher Fox, Pierre Alexandre Tremblay, Carola Bauckholt, Patricia Martinez, Elnaz Seyedi and Luis Antunes Pena, among others. Recent appearances include concerts at the Huddersfield Contemporary Music Festival, Bludenzer Tage Zeitgemässer Musik, Mixtur Festival Barcelona, the Venice Biennale and a two week tour of Mexico. In 2020 they will be seen playing at festivals including the Darmstadt Summer Courses, Gaudeamus, Acht Brücken and KLANG, as well as a 10-day tour of Sweden in March with the hertzbreakers collective.
- Elnaz Seyedi, Nach Neuen Meeren (for clarinet and accordion) 10′ Eduardo Rais, Fantasía de asimilación (for clarinet and tape) 7′
- Luis Antunes Pena, THE HUNTER (for bass clarinet and tape) 8′
- Oxana Omelchuk: Stirling (2019) for prepared accordion and accessories 10′
- Georgina Derbez, Força d´Amor in quel uccel (for bass clarinet and accordion) 4′
- Pierre-Alexandre Tremblay, asinglewordisnotenough4 (for clarinet, accordion and live electronics) 15′
The Plus-Minus Ensemble’s name comes from Karlheinz Stockhausen’s experimental work from 1963, revealing their interest in performance, electro-acoustics and conceptual art. They return here to their musical roots: instrumental music with electronics. Each of four works delves into the process of composition and how sound material is contextualized, reworked, layered and transcribed. An evening of refined, contemplative music, up to date without specific reference to new media or technology.
- Newton Armstrong – Thread-Surface
- Cassandra Miller – Traveller Song
- Davíð Brynjar Franzson – Ideation 2.1
- Laurence Crane – Octet
Octet, composed for Plus-Minus Ensemble, was shortlisted for the 2009 Royal Philharmonic Society Music Awards, in the Chamber-Scale Composition category.
Brian is a new collaboration between multi instrumentalist Duncan Gallagher and engineer and sound designer Will Davies. Born out of long improvised jam sessions in the studio, this set is the result of many hours trying to organise the chaos of those recordings into structures which still maintain the space for the musicians on stage to interpret and improvise. For this performance the duo will be joined by Nick Harbourne on double bass, piano and vocals.
Expect live electronics, guitars both processed and unprocessed, vocal harmonies, and a large stuffed bear.
Contemporary Ensemble directed by Peter Nelson
Wandelweiser (‘change signpost’) marks a change in direction for music, steered by a loose collection of composers and performers linked to the Dutch flautist and composer, Antoine Beuger and the Swiss composer Jürg Frey, whose work forms the core of this programme.
Where shall we go? Do we have to hurry? Or can we just listen? also in the company of Arvin Pappelli, John Panagiotou and Aggelos Mastrantonis.