{"id":24,"date":"2013-01-16T22:18:28","date_gmt":"2013-01-16T22:18:28","guid":{"rendered":"http:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/?page_id=24"},"modified":"2013-02-24T23:42:22","modified_gmt":"2013-02-24T23:42:22","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<p>Attali, J. (1985). Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press.<br \/>\nBoorman, J., &amp; Donohue, W. (1996). Projections 6: film-makers on film-making. Faber and Faber.<br \/>\nChion, M. (1994). Audio-Vision: Sound on Screen. New York: Columbia University Press.<br \/>\nChion, M. (1999). The Voice in Cinema. New York: Columbia University Press.<br \/>\nChion, M. (2009). Film, a Sound Art. New York: Columbia University Press.<br \/>\nCox, C., &amp; Warner, D. (Eds.). (2004). Audio Culture: Readings in Modern Music. New York: Continuum.<br \/>\nDavison, A. (2009). Alex North\u2019s A Streetcar Named Desire: A Film Score Guide. Scarecrow film score guides. Lanham, Md: Scarecrow Press.<br \/>\nGibson, B. (2002a). Sound Advice on Compressors, Limiters, Expanders, &amp; Gates. ProAudio Press.<br \/>\nGibson, B. (2002b). Sound Advice on Equalizers, Reverbs &amp; Delays. ProAudio Press.<br \/>\nHugill, A. (2007). The Digital Musician. Taylor &amp; Francis.<br \/>\nKatz, R. A. (2002). Mastering Audio: The Art and the Science. Oxford: Focal Press.<br \/>\nLoBrutto, V. (1994). Sound-on-film. Greenwood Publishing Group.<br \/>\nLOMAX, Y. (n.d.). Writing the Image: An Adventure with Art and Theory. I. B. Tauris.<br \/>\nLowering the Boom: Critical Studies in Film Sound. (2008). Urbana, Ill: University of Illinois Press.<br \/>\nMarsh, J. (2005). Popular culture, new media and digital literacy in early childhood. Routledge.<br \/>\nOwsinski, B., &amp; O\u2019Brien, M. (1999). The Mixing Engineer\u2019s Handbook. Mix Books.<br \/>\nRumsey, F. (2006). Sound and Recording: An Introduction (5th ed.). Oxford, Eng: Focal Press.<br \/>\nSonnenschein, D. (2001). Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema. Studio City, CA: Michael Wiese Productions.<br \/>\nSoundscape: The School of Sound Lectures, 1998-2001. (2003). London: Wallflower Press.<br \/>\nThe Cinema of David Lynch: American Dreams, Nightmare Visions. (2004).Directors\u2019 cuts. London: Wallflower Press.<br \/>\nThompson, E. (2004). The Soundscape of Modernity. MIT Press.<br \/>\nUndercurrents: The Hidden Wiring of Modern Music. (2002). London, Eng: Continuum.<br \/>\nWhittington, W. B. (2007). Sound design &amp; science fiction. University of Texas Press.<br \/>\nWyatt, H., &amp; Amyes, T. (2004). Audio Post Production for Television and Film, Third Edition: An introduction to technology and techniques (3rd ed.). Focal Press.<br \/>\nYewdall, D. L. (2003). Practical Art of Motion Picture Sound (2nd ed.). Amsterdam: Focal Press.<\/p>\n<h3>Useful links<\/h3>\n<p><a href=\"http:\/\/www.grammy.org\/files\/pages\/SurroundRecommendations.pdf\" class=\"autohyperlink\">www.grammy.org\/files\/pages\/SurroundRecommendations.pdf<\/a><\/p>\n<p><a href=\"http:\/\/www.filmsound.org\" class=\"autohyperlink\">www.filmsound.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Attali, J. (1985). Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press. Boorman, J., &amp; Donohue, W. (1996). Projections 6: film-makers on film-making. Faber and Faber. Chion, M. (1994). Audio-Vision: Sound on Screen. New York: Columbia University Press. &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"more-link\" href=\"https:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/bibliography\/\"> <span class=\"screen-reader-text\">Bibliography<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/wp-json\/wp\/v2\/pages\/24"}],"collection":[{"href":"https:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":3,"href":"https:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/wp-json\/wp\/v2\/pages\/24\/revisions"}],"predecessor-version":[{"id":69,"href":"https:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/wp-json\/wp\/v2\/pages\/24\/revisions\/69"}],"wp:attachment":[{"href":"https:\/\/digital.eca.ed.ac.uk\/soundandfixedmedia\/wp-json\/wp\/v2\/media?parent=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}