Recursion Constructors by Richard Devine

Format-live: live stereo (live modular/electronics) via video feed from personal studio in the US

About the piece

Richard will perform an acousmatic piece, utilizing mixed media which comprises a customized modular system with robotic triggers, mechanical springs, coils, exotic metallic percussion, and waterphone, as a live stream from his studio in Atlanta GA.


Richard Devine electronic artist and sound designer specializing in musical composition, mnemonics, field recording, sound effects, loop libraries, content creation, instrument patch design, specialized sound design for T.V./Film, web media, and virtual reality.

During the past three years, Richard Devine has remixed top Warp artists like Aphex Twin and Mike Patton (Faith No More). He has released 6 full-length albums on Schematic, Warp, Asphodel, and Sublight records and has performed his own ear-tearing music mayhem worldwide. Based from Atlanta, Georgia he has done film score work for Touchstone Pictures (with John Hues & Kyle Cooper). He has also collaborated with BT (Brian Transeau on the movie “Surveillance” Directed by Adam Rifkin, Odopod, Elias Arts, Wieden & Kennedy, AKQA Inc., and has worked on commercials for the Nike Shoe Company and worked with various companies doing sound design for Audi, BMW, Ford, Scion, Coke, LandRover, Peugeot, Dodge, HBO, Nestle, Nike Japan & USA, McDonald’s, Sprite, Spike Television network and has also worked with Konami gaming division for the Dance-Dance Revolution game. In 2007 he signed a deal with Sony Media to release his first two Sound Effects libraries, “Pulse” and “The Electronic Manuscript” which won 2009’s best sample library by Remix Technology Awards. in 2008 Richard launched a new sound design company “Devinesound” which was nominated for the Cannes Lions Award for the sound design work on the interactive website for Microsoft Gaming division-Halo Believe Campaign. In May 2016 he contributed sound effects and musical elements to the Doom 4 Soundtrack along with Mick Gordan. In 2017 He created UI Sound Design and Ambisonic Environmental Audio for Google’s DayDream VR Platform/Google Earth VR.

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