Attali, J. (1985). Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press.
Boorman, J., & Donohue, W. (1996). Projections 6: film-makers on film-making. Faber and Faber.
Chion, M. (1994). Audio-Vision: Sound on Screen. New York: Columbia University Press.
Chion, M. (1999). The Voice in Cinema. New York: Columbia University Press.
Chion, M. (2009). Film, a Sound Art. New York: Columbia University Press.
Cox, C., & Warner, D. (Eds.). (2004). Audio Culture: Readings in Modern Music. New York: Continuum.
Davison, A. (2009). Alex North’s A Streetcar Named Desire: A Film Score Guide. Scarecrow film score guides. Lanham, Md: Scarecrow Press.
Gibson, B. (2002a). Sound Advice on Compressors, Limiters, Expanders, & Gates. ProAudio Press.
Gibson, B. (2002b). Sound Advice on Equalizers, Reverbs & Delays. ProAudio Press.
Hugill, A. (2007). The Digital Musician. Taylor & Francis.
Katz, R. A. (2002). Mastering Audio: The Art and the Science. Oxford: Focal Press.
LoBrutto, V. (1994). Sound-on-film. Greenwood Publishing Group.
LOMAX, Y. (n.d.). Writing the Image: An Adventure with Art and Theory. I. B. Tauris.
Lowering the Boom: Critical Studies in Film Sound. (2008). Urbana, Ill: University of Illinois Press.
Marsh, J. (2005). Popular culture, new media and digital literacy in early childhood. Routledge.
Owsinski, B., & O’Brien, M. (1999). The Mixing Engineer’s Handbook. Mix Books.
Rumsey, F. (2006). Sound and Recording: An Introduction (5th ed.). Oxford, Eng: Focal Press.
Sonnenschein, D. (2001). Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema. Studio City, CA: Michael Wiese Productions.
Soundscape: The School of Sound Lectures, 1998-2001. (2003). London: Wallflower Press.
The Cinema of David Lynch: American Dreams, Nightmare Visions. (2004).Directors’ cuts. London: Wallflower Press.
Thompson, E. (2004). The Soundscape of Modernity. MIT Press.
Undercurrents: The Hidden Wiring of Modern Music. (2002). London, Eng: Continuum.
Whittington, W. B. (2007). Sound design & science fiction. University of Texas Press.
Wyatt, H., & Amyes, T. (2004). Audio Post Production for Television and Film, Third Edition: An introduction to technology and techniques (3rd ed.). Focal Press.
Yewdall, D. L. (2003). Practical Art of Motion Picture Sound (2nd ed.). Amsterdam: Focal Press.

Useful links

Print Friendly

Recent Comments



    • No categories