ARCH11011 – Sound and Fixed Media
sound design and the moving image
Table of Contents 1. What counts as an unusual approach? 1.1. The standard approach… “you’ve seen one, you’ve seen them all” 1.1.1. Watch this analysis and review of Phantom Menace 1.2. The oblique approach 1.3. A systems approach 1.4. An …
Lecture 10 – what counts as an unusual approach? Read more »
Table of Contents 1. Introduction 2. quick summary of what we should already know 2.1. two-channel sound 2.2. surround sound 2.3. ambisonics 3. using ambisonics in your mixes 4. Starting with audio mixing for 360 video 4.1. Get a video …
Lecture notes from the session are available to download above, video capture should be available on LEARN.
This session we are priviledged to welcome Pete Smith who is coming to show some of his work, discuss his experiences as a field recordist in Scotland. Take a look at the work below and post two questions or discussion …
part 1 In week 1 we explore what is fixed in a media-production context. We also discuss what in this envrionment is subject to almost never-ending change. These reflections are important in preparing for our own work making sound for …
What follows are instructions on how to make use of Reaper and the very powerful Ambisonics tool Kit to help you to spatialize your sound. It does not advise on what might sound good in a spatial context, but gives …
Lecture 05 ambisonics and Reaper, a quickish tutorial Read more »
task to prepare for week 3 At week 3’s session we will be discussing ways of shifting from film sound analysis towards scores that might make new sonic forms and experiences. However, we’ll also be listening to and looking at …
1. Analysis 1.1. What is analysis? 1.2. Why is it useful? 1.3. How might it help you? 1.4. What form might an analysis take and what can it show? 2. Interpretation 2.1. What is interpretation? 2.2. Where do we find …