Course bibliography

Books

Bartlett, B. (1991). Stereo Microphone Techniques. Boston ; London: Focal Press
Borwick, J. (1990). Microphones: Technology and Technique. London: Focal Press

Borwick, J. (ed.) (1996). Sound Recording Practice Oxford: Oxford University Press

Chadabe, J. (1997). Electric Sound: The Past and Promise of Electronic Music (p. 370). Upper Saddle River, N.J: Prentice Hall.

Chion, M. (1994). Audio-Vision: Sound on Screen (p. 239). New York: Columbia University Press.

Cook, P. R. (2002). Real Sound Synthesis for Interactive Applications (p. 263). Natick, Mass: A K Peters.

Dickreiter, M. (1989). Tonmeister Technology: Recording Environment, Sound Sources, Microphone Techniques. New York: Temmer Enterprises..
Eargle, J. (2004) The Microphone Book. Second edition. Oxford: Elsevier, Focal Press.

Gibson, B. (1999). The Audiopro Home Recording Course (p. 200). Hal Leonard Corporation.

Gibson, B. (2002a). Sound Advice on Compressors, Limiters, Expanders, & Gates (p. 79). ProAudio Press.

Gibson, B. (2002b). Sound Advice on Equalizers, Reverbs & Delays (p. 77). ProAudio Press.

Helmholtz, H. V. (1948). On the sensations of tone as a physiological basis for the theory of music (p. 575). P. Smith.

Howard, D. M. (2001). Acoustics and Psychoacoustics. Music technology series (2nd ed., p. 385). Oxford: Focal Press.

Manning, P. (1985). Electronic and computer music (p. 291). Clarendon Press.

Miranda, E. R. (2001). Composing music with computers (p. 238). Focal Press.

Miranda, E. R. (2002a). Computer sound design (p. 263). Focal Press.

Miranda, E. R. (2002b). Computer sound design (p. 263). Focal Press.

Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. (1999). (p. 372). Cambridge, Mass: MIT Press.

Nisbett, A. (1989). The Use of Microphones. Third edition. Media Manuals. London ; Boston: Focal Press.

NetLibrary, Inc. (1999). Music, Cognition, and Computerized Sound an Introduction to Psychoacoustics (p. 372). Cambridge, Mass: MIT Press.

Owsinski, B., & O’Brien, M. (1999). The Mixing Engineer’s Handbook (p. 219). Mix Books.

Pohlmann, K. (2010). Principles of Digital Audio, Sixth Edition. 6 edition. New York: McGraw-Hill/TAB Electronics.

Roads, C. (1996). The Computer Music Tutorial (p. 1234). Cambridge, Mass: MIT Press.

Roads, C., & NetLibrary, Inc. (1996). The Computer Music Tutorial (p. 1234). Cambridge, Mass: MIT Press.

Rumsey, F., & McCormick, T. (2006). Sound and recording (p. 569). Focal Press.

Schafer, R. M. (1977). The tuning of the world (p. 301). Knopf.

Sonnenschein, D. (2001). Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema (p. 245). Studio City, CA: Michael Wiese Productions.

Soundscape: The School of Sound Lectures, 1998-2001. (2003). (p. 242). London: Wallflower Press.

Watkinson, J. (2001) The Art of Digital Audio. Taylor & Francis.


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